SARA

sarashrier@gmail.com

The Sara Doll

9.5″, Polymer Clay & Other Assorted Materials

Dolls, much like human bodies, act as vessels through which we project personalities. We dress them up and present them in specific ways with the intention of expressing and projecting our internal selves into the world. However, as much as these representations reveal ourselves, they are mere recreations. The “Sara Doll” demonstrates this concept, inviting the viewer to project themselves onto the doll and imagine their own stories, much like a child in play. A major source of inspiration for this project was the idea that, by transforming my outer self into a doll, I might be able to explore something about myself. I often wonder how my self-image differs from the persona perceived by others. Perhaps, by stepping out of our own bodies and revisiting a child’s worldview, we may glean some new perspectives into ourselves and each other.

Talking to Myself

11″ x 14″, Gouache & Acrylic on Bristol

Accompanying The Sara Doll, this painting series dives even deeper into themes of identity through characterization. These characters – Little, Middle, Older, & Elder, as I like to call them – each represent a different key point in my development; even those I haven’t experienced yet!

Sara Shrier

Hope, Digital, 28” x 20”, October 8th, 2020

2020 has time and again proven itself to be one of the most challenging years of my generation. The recent Black Lives Matter protests, the fires and hurricanes, and of course the COVID-19 pandemic are just a few items on a seemingly endless list. But history has a way of repeating itself, even in such apparently unprecedented times as these. Hope was created in response to the film Children of Men which, though released in 2006, is surprisingly relevant to the events of this year. The film explores a reality in which society has collapsed and become divided in the wake of sudden worldwide infertility. But somehow, in the midst of the chaos, a child is born; presenting a beacon of hope for humanity. I began thinking about this idea of hope as it relates to the world today, and how the infant can be used as a powerful metaphor for unity and evolution. In mimicking the style and spiritual iconography of ancient illuminated manuscripts, I aimed to illustrate the consistencies between modern and historical depictions of hope, particularly during times of crisis.