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OUTSPOKEN VOICES
OF
THE EARTH

Outspoken Voices of the Earth focuses on the socio-political confrontations of artists throughout the years, and from different backgrounds. Instead of focusing on just one topic or issue, the show allows for a wide variety of commentary that contextualizes the social and political views of each artist. Some offer commentary, others use humor, while still others offer potential solutions. The differences in time allow viewers to judge whether or not these issues have been improved or outright solved, putting into question the role of the more recent works. With art’s ability to change our view on certain topics, it is important for viewers to be able to look simultaneously forwards and backwards.

Each artist, throughout the week, will give a tour of their space and quickly discuss their works, allowing them to both verbally and visually express themselves. Viewers are asked to remain silent while the artist speaks, allowing only their voice to be present. This will continue until the final tour is given, at which point the audience is encourage to consider one artist to focus on. The following day the four artists will be split between four separate rooms, now allowing the audience to ask questions, discuss, or debate. Each audience member will speak one at a time for ten minutes each, and the artist will have the opportunity to respond.

Our ability to speak out is one of our most important, allowing us to make our voices heard. One should always be ready to stand up for what they believe in, while also leaving plenty of room for accepting new ideas and viewpoints. Second to our ability to speak out is our ability to listen, to open ourselves up to the voices of others, to hear their part. Outspoke Voices of the Earth allows us to get in close contact with some of the voices that are looking to be heard, it is an opportunity to expand one’s point of view through active discussion. So come join your voice with ours, and be heard.

Olympia Martin

            The root word of “animation” is the latin anima, which roughly translates into breath. With this in mind, the history of animation itself began not with even drawing, but with puppets and cut out paper, with animators being seen as reinstalling life into the inorganic, akin to Dr. Frankenstein with his monster. The first recognized animated movies being the Argentenian cut out paper film El Apostol in 1917 and German director’s Lotte Reiniger’s  silhouette animation “The adventure of Prince Achmet” in 1927. The prior being a political satire mocking Argentina’s then president, the later being a 5 act fantastical courtship. The very first stories to be passed down from generation to generation were not written or drawn, but were spoken. Both the act of telling a story and creating an animation, involve the release of this anima whether it be the breath of the speaker or the animator putting breath into their own work. 

     These 6 works are being displayed together as they all display a unique interpretations of narrative with animation.  From the exploration of ancient vs modern ideals of a hero in Takeshi Murata’s work, to the Afrofuturism of Stephanie Dinkin’s work. Each piece displays a subversion of the low brow status of animation, telling complex stories and narratives. The auteur like quality of animation, the fact that all the materials such as character design, setting, and lighting can feasibly be created by a singular individual adds both to the specificity of what the artist is meant to show. These artists use the specific choices of character design for sometimes humorous, sometimes horrifying experiences.

Drawings

Paintings

Paintings